Ella Risbridger "Midnight Chicken: & Other Recipes Worth Living For".Elena Silcock "Salads are More Than Leaves".Easy Recipes that Will Make You Look Good and Feel Great.Diana Henry " From the Oven to the Table". Deb Perelman "Smitten Kitchen Every Day".Claire Ptak "The Violet Bakery Cookbook".Christopher Kimball "Milk Street Tuesday Nights".Caroline Craig and Sophie Missing " The Little Book of Lunch".Becky Alexander and Michelle Lake "Packed".Andy Baraghani " The Cook You Want To Be".Ali Slagle "I dream of dinner (so you don't have to)".We will then contact you with the appropriate action. If you have not received any information after contact with Star Track, please contact us to confirm that the address for delivery logged with us are correct.For enquiries regarding the delivery of your order, contact Star Track Customer Service on 13 23 45 - and quote the above consignment number.Please be aware that the delivery time frame may vary according to the area of delivery - the approximate delivery time is usually between 1-2 business days.The consignment number is emailed to you along with the invoice at the time of shipment. You can track your delivery by going to StartTrack tracking using your consignment number. If you have not received any information after contact with Australia Post, please contact us to confirm that the details for delivery logged with us are correct.If you have not received your delivery following the estimated timeframe, we advise you to contact your local post office first, as the parcel may be there awaiting your collection.Please be aware that the delivery time frame may vary according to the area of delivery and due to various reasons, the delivery may take longer than the original estimated timeframe. Delivery with Standard Australia Post usually happens within 2-10 business days from time of dispatch.You can track your delivery by going to AusPost tracking and entering your tracking number - your Order Shipped email will contain this information for each parcel. Tracking delivery Saver Delivery: Australia postĪustralia Post deliveries can be tracked on route with eParcel. NB All our estimates are based on business days and assume that shipping and delivery don't occur on holidays and weekends. Order may come in multiple shipments, however you will only be charged a flat fee.ġ-2 days after each item has arrived in the warehouseġ The expected delivery period after the order has been dispatched via your chosen delivery method.ģ Please note this service does not override the status timeframe "Dispatches in", and that the "Usually Dispatches In" timeframe still applies to all orders. Items in order will be sent via Express post as soon as they arrive in the warehouse. Order may come in multiple shipments, however you will only be charged a flat fee.Ģ-10 days after all items have arrived in the warehouse Items in order will be sent as soon as they arrive in the warehouse. Innovative yet practical, surprising yet approachable, Melissa's recipes are the new gold standard for flavor and quality. Recipes will include dietary indications and instructions for cooking on all multicooker settings (pressure cook, slow cook, saute, etc.) so busy readers can decide whether they want to have their dinner cook throughout the day, ready right when they get home, or in just a few minutes before they sit down to eat. Melissa brings her trademark flavor-forward spin to everyone's favorite dishes: Spicy Turkey Meatloaf, Weeknight Chicken Parm, Baked Eggs and Cheese Grits, Matzo Ball Soup-and, for the first time, will focus on weeknight comfort meals-recipes that not only cook quickly, but that are also a snap to prep. With 75 all-new recipes for the slow cooker, the pressure cooker, and other Instant Pot® settings, Comfort in an Instant is Melissa Clark's most commercial book ever: sixty of these 75 recipes can be made in less than an hour from start to finish. Melissa Clark, New York Times food columnist, web star, and go-to for Instant Pot recipes, now focuses on classic comfort foods with 75 all-new recipes-from mac and cheese to spaghetti and meatballs and pulled pork to shepherd's pie-that are some of her easiest, fastest, and most delicious dishes ever.
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“The main goal is to continue to provide a high-quality experience for customers who come in and for us to continue to have fun,” he said. Public sessions can last anywhere from two to three hours, but Muse also offers private events, kids’ parties, and family sessions.Īside from having a good time, Finch said, part of the experience is for people to “create something that they can take home and be proud of,” People can register to attend a session on, where a description of the class and cost for attending will be specified.įinch said the goal of the business has always been to have fun and provide something new and innovative to enhance people’s creativity. The instructor will walk everyone through the steps for the painting, let you know where everything is, and the lesson will kick off.” “If you feel so inclined, you may go to the bar and have a drink or food. “Basically, you come in with a friend or by yourself, look for your name tag and a station will be ready for you to go with aprons and tools,” Finch said. “While I am not a trained artist myself, I hang around a lot of them and have appreciation for what artists do.”Ĭlasses at the studio are taught by Leigh, as well as various local artists from Long Island.įinch said typical lessons are very relaxing and people of any age and skill level can come and enjoy a session. “The idea was one from the standpoint that it would be really fun,” Finch said. While he is not an artist, Finch said, his appreciation for artists helped influence the paintbar idea. Since they met, the trio has opened a Muse Paintbar in nine different locations in New York, Connecticut, Massachusetts, New Hampshire, Rhode Island, and Maine, and Finch said they are looking to open six more locations including Port Jefferson, Garden City, and Tribeca. “Ray knew Vanessa and that’s how we all got together.” “Ray was my business school marketing professor, we were working on a couple of projects together,” Finch said. While studying marketing at the Harvard Business School, Finch met his fellow Muse Paintbar co-owners Ray Weaver and Vanessa Leigh, who is also the lead artist for the studio. “We’ve had people say it’s the most fun they’ve had because for two and a half hours they weren’t thinking about any problems, just painting and having fun with people who were there.”įinch, a Texas native, said he got the idea from other businesses in the Dallas and Fort Worth area, where the paintbar concept has become very popular. “People are usually creating art two-thirds of the time and socializing for the other third of the time,” said Finch. Located at 34 Middle Neck Road in the Village of Great Neck Plaza, Muse Paintbar was scheduled to open it’s doors on Thursday for people to come paint and enjoy different wines, beers, and food. “There’s a bit of an artistic vibe and interest in the area, plus the Gold Coast Arts Center is right down the street as well as other art related businesses.” “Of all the communities in Long Island, we liked Great Neck the most because we look for areas that have a little bit more character and charm,” Finch said. Muse Paintbar founder and co-owner Stan Finch said Great Neck fit the bill of where he and his partners wanted to set up their innovative studio that combines art instruction with bar-style social interaction. #SMARTSVN CHECKOUT LOCALHOST REPOSITORY SOFTWARE#įor those accessing the repository from outside, please use SOC VPN (not NUS VPN).#SMARTSVN CHECKOUT LOCALHOST REPOSITORY UPDATE#.#SMARTSVN CHECKOUT LOCALHOST REPOSITORY HOW TO#. For example, the following Simply login with your SOC UNIX ID. Send mail to CETS asking us to create a unix group.Įach team has been assigned space on our SOC SVN server. #SMARTSVN CHECKOUT LOCALHOST REPOSITORY SOFTWARE# It is not possible to use both Penn VPN software is required for all SSH connections from networks that are outside of PennNet. There are two options for setting up access to Subversion. This is primarily useful when the clients also run on Linux/Unix. Proper way to debug SVN+SSH checkout over VPN failure?Īn SVN server is usually installed on a central computer and it manages the data of the SVN It is usually applied internally for company networks or in connection with VPN. You can define other schemes to # be used with'svn+scheme://hostname/path' URLs. Then, I went to the local directory and tried to check out the remote repository URL using Tortoise SVN. but you must do this option every time you run the svn command. Then run svn co svn+ssh://mysvn/home/svn/proj1. Whenever you need to access an ssh server on a non-default port or with a different user name, you can define an alias in ~/. 2) Configure the HOME environment variable in Windows, so that MSYS2 and TortoiseGit are using the same home directory and global git-config. If you really want to use it, here are the steps you have to perform: 1) Select the \usr\bin -folder as git.exe folder. While fixing the failing commit another person might already /svn/tortoisesvn/trunk/doc/issuetrackers.txt, username is guest with.Ĭan I use different Subversion clients with the same working copy? Why is there no 'author' shown in the logs when I commit changes via svn+ssh? Permission problems with working copies on a SAMBA share.Ĥ00 Bad Request 403 Forbidden 405 HTTP Method Not Allowed SSH connection closed unexpectedly. When the Package Manager fetches a package from a Git repository, it adds the package locally to your project. And I am fairly certain that syntax of ssh in tunnel section was correct #SMARTSVN CHECKOUT LOCALHOST REPOSITORY HOW TO# The excellent Subversion base library SVNKit on which SmartSVN has Checkout Directory depends on these options and always shows the final directory into fails. How to checkout a repository through SmartSVN / svn Can I get some help to how to debug It or solve the problem that I I found out the problem was that since I was connecting through VPN, the hostname should have been localhost. svn was caughing with: $ svn ls svn+ssh://myhost/myrepo svn: To better debug SSH You could see what ssh is doing on a connection with ssh -v, but this is svn+ssh The session should point to the SVN server, normally repos.cs.uky.edu.Īnd something with the firewall and/or VPN settings seems to have I spent enough time to figure this out that I thought best to note it here. bbbbbbb the host, accessible from the Internet Tortoise SVN is an SVN client with a convenient GUI (graphical user interface). aaaaaaa the protocol, svn over SSH, required. We use Apache Subversion (SVN) to manage our SVN repository. 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It gave everyone an extra special feeling.” It feels good (for the dancers) when the choreographer and the person who wrote the music are watching you. It was really special that he was there and able to see it. “It was cute,” she said of his visit backstage. Hamrick said later in an interview that Jagger was “doing great. The 75-year-old rocker recently underwent medical treatment, reportedly for a heart valve issue, forcing postponement of the Stones’ No Filter tour. “Hi everybody, this is Mick Jagger here,” he said, congratulating YAGP on its anniversary and adding: “I hope you are going to enjoy this wonderful ballet - and the music of course.” But he did greet the crowd at New York’s Lincoln Center on Thursday night via a backstage mic. Jagger didn’t appear onstage or in the audience. It was Hamrick’s first work as choreographer, with a score arranged by Jagger of three Stones classics: “Sympathy for the Devil,” ”She’s a Rainbow,” and “Paint it Black.” Hamrick created the short ballet for the 20th anniversary of Youth America Grand Prix, the world’s largest ballet scholarship competition, in which she performed as a teenager. NEW YORK - Talk about your “Moves Like Jagger.” The recovering rocker made a stealth appearance at the ballet, slipping backstage to support his partner, Melanie Hamrick, as she presented her new dance based on Rolling Stones songs. The Stones frontman, recovering from medical treatment, watched from backstage and addressed the audience briefly via microphone before the show. premiere of her new ballet, “Porte Rouge” (Red Door), based on classic Rolling Stones tunes arranged by her partner, Mick Jagger. Choreographer Melanie Hamrick poses with dancers at the gala of Youth America Grand Prix, the world’s largest ballet scholarship competition, on Thursday, April 18, after the U.S. Permission Aspect All magic users must have an aspect to justify their use of magic. 15) to allow usage of each type of magic. Overview Permission & Cost To be a magic user, your character must have a permission aspect to justify their magical abilities, as well as any number of magic disciplines (pg. The freeform nature of this magic system allows for simple adjudication of the rules and a low barrier to entry. Then, the players are encouraged to use the power they have in whatever creative ways they can think of. Instead, the players can choose which types of magic they can use via a list of magic disciplines (pg. Its goal is to be a drop-in magic system with a high fantasy tone while sticking closely to Fate Core and providing the same amount of flexibility in character creation and progression. Introduction High Fantasy Magic is a simple, freeform magic system designed for Fate Core and Fate Accelerated. With a click, the door slowly opens, revealing the treasures and dangers that lie ahead. Then, after a moment, the light dissipates into the air around them. "But today, today I must open a door." A familiar blue energy pulses from his hands and ripples across the door's surface. "I've moved mountains with magic, slain mighty beasts, and calmed the fiercest of storms." He sighs as he thinks to himself. He methodically waves his hands in a circular pattern. Knowing what he has to do, an old man with a long white beard steps forward and begins muttering forgotten words under his breath. She gets back up, shakes off the pain, and gives a nod to her unlikely ally. The thief makes her way forward to inspect the door, but when she reaches out to touch it, blue, translucent light shimmers across its surface and blasts her back into the hallway behind her. Then ahead of them they see it: the entrance to the long-forgotten throne room. The damp stonework glistens in the dancing of their torches. Introduction The adventurers slowly creep down a dimly-lit corridor. The Powered by Fate logo is © Evil Hat Productions, LLC and is used with permission. Fate™ is a trademark of Evil Hat Productions, LLC. This work is also based on the Fate System Toolkit (found at ), a product of Evil Hat Productions, LLC, developed, authored, and edited by Robert Donoghue, Brian Engard, Brennan Taylor, Mike Olson, Mark Diaz Truman, Fred Hicks, and Matthew Gandy, and licensed for our use under the Creative Commons Attribution 3.0 Unported license (). When attributing, include the following text in your copyright information: "This work is based on High Fantasy Magic is © 2017 Nathan Hare (found at ), and licensed under the Creative Commons Attribution 4.0 International license ()." This work is based on Fate Core System and Fate Accelerated Edition (found at ), products of Evil Hat Productions, LLC, developed, authored, and edited by Leonard Balsera, Brian Engard, Jeremy Keller, Ryan Macklin, Mike Olson, Clark Valentine, Amanda Valentine, Fred Hicks, and Rob Donoghue, and licensed for our use under the Creative Commons Attribution 3.0 Unported license (). The text of this work is licensed under the Creative Commons Attribution 4.0 International License (found at ). Licensing High Fantasy Magic is copyright © 2017 Nathan Hare (). Special thanks to the following for their playtesting, feedback, and support: Rory Bracebuckle, Denis "Firkraag" Kotenko, James Garrett, Bobby Hare, Meghan Hare, David Lowell, Linda Rouleau, Carl Satterberg, Andy Snyder ⏺ Simple rules to handle a wide variety of magical abilities ⏺ A list of magical disciplines ⏺ Tips for managing the varying potency of magic ⏺ Rules for animating creatures to your aid ⏺ Example stunts for magic users ⏺ Tons of examplesĪ Simple Magic System for Fate Core & Accelerated Whether you use it in its entirety or pick it apart as a toolkit, this book is a great resource for magical, fantasy settings. Instead, the players can choose which types of magic they can use via a list of magic disciplines. Fantasy Magic Made Easy High Fantasy Magic is a simple, freeform magic system designed for Fate Core and Fate Accelerated. Nā‘ālehu radome, 39 ft (about 12 m) in diameter. This capability was especially useful at night when direct visual observations were not possible. Although not strictly weather clouds, these plumes of rock, mineral, and glass particles behaved a lot like normal meteorological clouds: they rose through the atmosphere, mixing with or punching through the existing weather cloud deck, and then drifted downwind.īy examining the radar snapshot of the clouds within minutes of formation, NWS and HVO could estimate the maximum height of the cloud and then use a computer model to visualize where the cloud would move and how much ash might fall. Data from the Nā‘ālehu installation assisted the USGS Hawaiian Volcano Observatory (HVO), NWS, and other agencies to rapidly detect and characterize ash clouds that erupted from Kīlauea Volcano's Halema‘uma‘u Crater repeatedly in May and June. In 2018, this radar provided an additional service to Hawaii residents. These data are used daily by weather forecasters, mariners, and anyone wanting helpful information on weather conditions and related hazards such as thunderstorms, hail, tornadoes, heavy rain, or flash flooding. The strength of the return signals (known as reflectivity) are directly related to size and concentration of reflectors (usually rain droplets or ice particles). Radar is a very useful tool because it penetrates clouds where the radar energy bounces off particles within the atmosphere and returns to the antenna. Data are displayed for all to see on a NOAA website. In the case of station PHWA, or the Nā‘ālehu radar, this extends from well southwest of South Point sweeping counterclockwise northeast off Cape Kumukahi and Hilo Bay. Around the clock, the resulting information, maps and animations of the intensity of radar returns from the atmosphere extending more than 100 miles (161 km) from the site. The radar's job is to scan the atmosphere rapidly in all directions to locate and track weather clouds. It is one of two such facilities on the Island of Hawai‘i the other sits atop Kohala to the north. The curious white orb is the radome (housing) of the South Hawaii or Nā‘ālehu Weather Surveillance Doppler radar installation owned by the Federal Aviation Administration (FAA) and operated by the National Oceanic and Atmospheric Administration (NOAA)'s National Weather Service (NWS). Data could also be displayed in cross section to estimate the height of the cloud. Reflectivity is the amount of transmitted power returned to the radar receiver, and because it occurs over a wide range, a logarithmic (or decibel, dBZ) scale is used. Colors indicate the different echo intensities or reflectivity. The colors scale is radar reflectivity, a measure of the size of the particles and their concentration within the ash cloud. This image is a slice through the cloud at an altitude of 14,000 ft (4 km) above sea level at 4:12 a.m., HST. Radar image of the eruption of ash from Halema‘uma‘u Crater. Not your usual romantic comedy woes.īut true love has a way of defying chemistry, and much of the film is centered on Ember’s struggle not so much with her love life but with her identity. Namely, that a kiss will mean she'll be extinguished and he'll boil and evaporate. They live in Element City, surrounded by diverse, well, elements (including earth and air), but find their mutual attraction might come with disastrous consequences. “Elemental” charts the romance between two polar opposites: fire (Ember Lumen, voiced by Leah Lewis) and water (Wade Ripple, voiced by Mamoudou Athie). “That one day in the Bronx was the seed,” he says. “I had invited my brother and my parents, who came here from Korea with nothing, and I looked at them and thought of their sacrifices and just cried,” says Sohn, 45.Ībout a year later, he was telling that story to friends at Pixar who immediately told him this should be his next film. Pixar veteran Peter Sohn − he directed "Elemental" as well as 2015's "The Good Dinosaur," and his likeness informed the face of Russell in “Up” − was back where he grew up for a festival celebrating the arts. AND 22.The journey to “Elemental,” Pixar’s new animated film (in theaters Friday), started eight years ago in the New York borough of the Bronx. When a tidal wave threatened to submerge the wonderland that is Atlantis, the Princess’ mom-the Queen-sacrificed herself to protect her land. In Atlantis: The Lost Empire, Princess Kida’s mother died a hero. PRINCESS KIDA IN ATLANTIS: THE LOST EMPIRE (2001) His mom is never mentioned, so it’s just assumed that she has passed away. In The Emperor’s New Groove, we learn that Emperor Kuzco’s dad disappeared while at sea when the would-be Emperor was just an infant. EMPEROR KUZCO IN THE EMPEROR’S NEW GROOVE (2000) TARZAN IN TARZAN (1999)Īfter managing to save themselves-and their infant son-from a burning ship and actually building a treehouse out of the boat’s wreckage, Tarzan’s parents meet an untimely demise at the hands (and teeth) of a leopardess known as Sabor. In Disney’s animated interpretation of Oliver Twist-but with a cat-Oliver is, of course, an orphan. Poor Quasimodo! As if he didn’t already have enough working against him with that unfortunate hunchback, he also has to deal with the fact that his mom-a gypsy-was murdered by the evil Judge Frollo who, as punishment for the crime, is forced to raise Quasimodo as his own. So all the little Princess could remember about her mother was a sweet lullaby she used to sing.” 2. But a 1938 storybook of the tale, published by Disney, includes a picture of the original Queen and a brief description of her passing: “While Snow White was still in her cradle, the good Queen died. Though much is made of Snow White’s stepmother, the Evil Queen, not a lot of information is given as to what happened to her biological mother-she isn’t even given a name. SNOW WHITE IN SNOW WHITE AND THE SEVEN DWARFS (1937) Still, there’s no denying Disney’s propensity for motherless characters. But, as explains, a quick look at the chronology shows that this theory doesn’t quite hold up, as Snow White had already been completed-and Pinocchio and Bambi were in production-when Disney’s mother passed away. And it’s this tragedy that some people point to in explaining why so many Disney movie characters are motherless. Less than a month after the elder Disneys moved into their new abode, a defective furnace caused their mother, Flora, to die from asphyxiation due to carbon monoxide poisoning.ĭevastated and guilt-ridden, Walt never spoke of her death. The phenomenal box office success of Snow White and the Seven Dwarfs created a financial windfall for Walt and his brother, Roy, who used a portion of their newfound wealth to purchase a home for their parents in Hollywood. While “happily ever after” may be a staple of Disney’s family fare, the legendary filmmaker’s own life wasn’t always so picture-perfect. it seemed plausible because, 1) the parts that came with it, i.e., the original 3-point bridge and pickguard, were clearly 70's parts, and 2) the hard-shell case is clearly a 70's Thunderbird case. OK, so this was sold to me as a "1976", but who knows. The nut might need a some notch tweaking, or worst case a new nut. I honestly think it could easily be converted to a low "B" setup. I was attracted to it, as a prior guitarist, for the soloing aspect of the range. So this is likely the only Gibson Thunderbird "high C" 5-string on the planet, actually crafted from a 70's 4-string Thunderbird bass! And yes, please note: the 5'th string is currently a high "C", not a low "B". Gibson did not offer the Thunderbird in a 5-string configuration, although there was "Studio 5" for a couple years in the mid 2000's, and the newer Epi "Pro-V". I've owned it for at least 20 years now, and bought it from the player who had the whim to get this done. What an amazingly-unique instrument, crafted from a vintage 70's Thunderbird Bass (REVERSE body style), this was modded 20+ years ago to make it a 5-string flametop! I'm serious. Thanks for viewing and reading all this.Here is something I know you've NEVER seen. Should you require any further details or additional specific photographs please don't hesitate to contact me. So shipping to be discussed I am more than prepared to split the cost to ensure that we end up with the right solution. Main priority for shipping is to ensure that the bass is safe, historically these do not travel well, and having protected and nurtured this one for the last 42 years I don't just want it to become another neck job. certificate to cover the Brazilian Rosewood fingerboard so sale outside the EU is not an option). Would prefer to sell this in the UK but any prospective buyers in the EU please feel free to contact me (at present I have no C.I.T.E.S. Regarding shipping the figure listed is an estimate just to cover the listing and includes the insurance cover up to £2,500. Physically these bass's are a bit cumbersome and ungainly, but they are beautifully made from stunning materials a true design icon from the golden age of the electric bass and they offer a far wider range of sounds than they are generally given credit for. I am sad to see this bass go, I have been it's keeper and enthusiastic fan for the last 42 years it has been cared for and loved during that time it's a great thing to own. Also included is the narrow (too narrow) original Gibson strap which is well worn and has seen better days but is included as it was part of the original set. I have made a replacement from W/B/W pickguard material. Also comes with both bridge and pickup covers, the screws with those are not original, the original black plastic spacer which fits between the pickup cover and body has unfortunately been lost. The vivid pink interior can be seen in the photographs, I will add further pics showing the exterior A.S.A.P. that result from several years of loading in and out of transit vans, but is in good serviceable working condition (i.e. It comes with original Gibson hard case which has various marks and some tears etc. One or two marks on the back but has never been near a buckle ! Overall it has been well cared for and as can be seen is in very good condition for a 42 year old bass. It is in used condition and has aquired a small number of dings (which I have tried to illustrate in the photographs) and some wear to the pickup covers. It has never suffered a neck break or wing separation and has had no modifications carried out and the strap buttons are in the original positions. Production of this batch seems to have been a bit haphazard in the rush to get these to the shops for the Bicentennial launch and is evident in the clearance slots in the pickup routs and one or two other areas. I believe that Gibson were slow to perfect the production process and that they were late with deliveries which is why production spilled over into 1977 and beyond. The official Gibson records suggest thay it may be 1977 ( I bought it in in March 1977 so the Gibson figures may or may not be correct). I was told at the time by the Gibson rep who delivered it that the 06 serial number denoted that it was made in 1976 in the original production run of 228 (in this finish). It was then replaced by my Jazz Bass and retired to it's case until now. 3-4 years, used for the full range of gigs from summer season and dinner dance's to Jethro Tull covers and pub rock. Bass was actively gigged from time of purchase for approx. Bought new in early 1977 at a cost of £580.00 from Norwich Sound Systems and owned by me ever since. Thus, all these factors together are predicted to augment the demand for the global honeycomb paper market. Acoustic walls, flat surface doors, and partition walls are some examples that use paper honeycomb material. Lightweight and paper based materials are gaining importance in the construction industry and thereby making honeycomb paper a widely used material in the building & construction industry. In addition, it can also be used effectively to minimize the weight of cars that in turn helps to improve fuel efficiency. Physical properties such as stiffness and weight-to-strength ratio makes paper honeycomb a widely used material in automotive applications such as sunshades, tire covers for spare tires, door trim panels, and roofing. Paper honeycomb is used to create a sandwich panel composite as core or spacer in the automotive end-user. The growth of the global honeycomb paper market is driven by increase in adoption of honeycomb paper in building & construction and automotive end-use industries. Honeycomb paper is sandwiched between two thin sheets to create honeycomb packaging materials. Honeycomb is a type of structure that can be found in nature or is created artificially. The global honeycomb paper market was valued at $6.5 billion in 2020, and is projected to reach $11.0 billion by 2030, growing at a CAGR of 5.4% from 2021 to 2030. Honeycomb Paper Market By Core Type (Expanded Paper Honeycomb, Expanded Paper Honeycomb Blocks Paper Honeycomb, Continuous Paper Honeycomb, Others), By Cell Size (Upto 10 mm, 10 to 30 mm, Above 30 mm), By End-use Industry (Home Decor, Transport and Logistics, Automotive, Building and Construction, Others): Global Opportunity Analysis and Industry Forecast, 2020-2030 |
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